Minimidimaxi Magazine

This season, Christian Chenail enhances his brand’s structured classics with a focus on a strongly fitted silhouette, inspired by German New Wave cinema.

Christian Chenail’s Muse celebrated its 20th anniversary with an easy 50s-inspired spring-summer collection in solid colours and a multitude of textures.

Sharp classics by Christian Chenail remix two of the most powerful decades of the 20th century for fall-winter 2009.

Muse creates a bizarre cinematic fusion of the 40s and the 80s for fall/winter 2008.

Muse’s Christian Chenail gives us his haunting vision of what plaid should be for fall/winter 2007, in a collection that channels romanticism as much as it does fantasy.

It seems to me that spring/summer 2007 isn’t the first time Muse has explored nautical themes, though maybe this was the first time it was set to “The Love Boat” soundtrack.

Romance is in the air for Muse’s fall/winter 2006 collection, though the attempt at sobriety may have been foiled by the irresistible call to be, in true Muse form, just a little over-the-top.

Just as Hollywood has a sleeper hit every season, spring-summer 2006 was almost stolen by one Christian Chenail and his Muse as we dozed under our sunglasses.

Christian Chenail revealed one of the most wearable collections on the Canadian fashion stage for spring 2005.

Christian Chenail’s penchant for cinematic diva-hood appears to be insatiable. Audrey Hepburn becomes the new target of adoration.

For Muse spring/summer 2003, Christian Chenail has produced perhaps his most disaffected collection.

‘Zhivago’, the theme of this season’s Muse collection, plays variations on the fallen aristocracy of Russian bourgeois chic.

Filmic portrayals of 1970’s long-lashed chanteuses sported a collection of bright summer prints

Fall/Winter 2001 collection was presented under the theme ‘Hitchcock Women’