Minimidimaxi Magazine

Rudsak seduces with simple classics and a touch of glamour in a soft neutral palette and bright accents

Rudsak gives us hooded soldiers dressed to the nines for fall/winter 2009, in a collection of layered leather and wool.

Rudsak maintains its spell over outerwear aficionados with a spring/summer 2009 collection that sizzles.

Evik Asatoorian uses the ‘opposites attract’ theory to take a stab at reinvention.

What seems like repetition may simply be Rudsak narrowing down and focusing on what they do best, in light of stiff competition in the Canadian outerwear market.

For treated leather outerwear so delicious-looking you want to eat it like a Fruit Roll-up, Rudsak’s spring/summer 2007 collection serves up all you’ll probably need.

Rudsak delivers a tight collection for fall/winter 2006, brandishing black as both weapon and lure.

Rudsak gets back to basics with their spring-summer 2006 leather collection, using ice cream pastels that make you want to reach out and taste them.

For spring 2005, Rudsak streamlines their leather delectables while keeping an eye on the power of colour.

‘White Time’ is Rudsak’s theme for Spring 2004, a vote of confidence in the colour white to demonstrate the epiphany of freedom

With Spring/summer 2003, Rudsak gets back to design basics, and designer Evik Asatoorian explains why the total image had to go.

Leatherwear heavyweight Rudsak is one of those engines that give menswear its impetus this season.

The first edition of Sensation Design Jaguar was a fitting climax to a brilliant Fall 2001

Montreal leather leader Rudsak has shown how its structural attributes, such as a solid roots-up business plan and “total look” approach