Directory : Canadian Fashion Stage Magazine : Canadian designers: ready-to wear: spring-summer 2002

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READY TO WEAR FASHION DESIGNER COLLECTIONS











DIRECTIONAL ANALYSIS

For design to make its mark on a global level, a voice must carry itself imperviously through the distractions of the fashion gauntlet. This voice is born in the studio, honed on the runway, trained in the market and refined back in the studio, behind closed doors. True emergence, however, necessitates cooperation. What is Canada's fashion statement? The picture is becoming clearer as communal energy comes to fruition.

Let's focus on the details. The Canadian Spring 2002 colour palette is particular, with taupe, powder blue and green reigning in all it's regal shades - jade, lime, emerald and forest. Black is a powerful signifier for the season and is mitigated with charcoal accents. Variegated stripes offer a rainbow of possibilities. The fabric on this season's runways are boldly experimental, with Crystal Siemens leading the pack. The wide use of knits, chiffon and jersey aside, the most stunning pieces come in satin, soft leather, organza and high-tech lycra and microfibres.

Pinstripes are the biggest headlines of the season, with Envers and Dubuc using them to draw long, distinguished lines with acuity. Geometric prints and cuts are David Dixon's playthings as he pieces together a collection of true originals. Both Dixon and Marisa Minicucci bring bias-cut dirndl skirts into the 21st century while the fine craft of tailoring is artfully articulated by YSO in a neo-romanticist vein. This dramatic neo-romanticism is expounded upon by Pat McDonagh, Envers and Dubuc, positing it as a force to be contended with. Dubuc and McDonagh also explore Latin terrain, their already untouchable collections taking on wordly qualities. Wide belts are popular and are central anchor points for Dixon, Minicucci and new Montreal designer Morales.

The evidence weighs in heavily. The Canadian lean, having no great historical oeuvre to deconstruct, is constructivist by nature. Silhouette is the big winner. One only has to look at Kamkyl's punk-inspired raw seams to see how this modus operandi is being made transparent, even celebrated. Misura, by Joeffer Caoc, embodies this message perfectly and delivers it unequivocally with a brilliant collection. The fluid structural cooperation between the symmetrical seamwork and bias-cut edges results in a world-class style.

A style that is Canada's own.

Daniel Cox
Fashion Editor


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