Minimidimaxi Magazine

There was a palpable buzz surrounding the Arthur Mendonça Spring 2004 show, and the Toronto crowd wasn’t let down.

The Damzels know how to put on a rocking good show for Spring 2004, and it didn’t hurt to have their own horror flick.

If avant-garde fashion can be characterized as extravagant but not gratuitous, then Dixon is slightly ahead of the pack.

David Spencer added a touch of leather sizzle to Toronto Fashion Week with his spring 2004 collection.

From clingy jersey to deconstructed swaths of linen to silk-screened chiffon, this collection speaks volumes with discipline.

Indian culture had its fingerprint all over the collection, with black, red, gold and silver as the main colour palette.

Reid’s trademark enthusiasm blazed through Toronto Fashion Week for the designer’s second spring collection.

Falbala’s collection looks perfect for dancing: tango, swing, salsa, you name it.

Shelli Oh delivers nothing more than the dainty essentials for her spring 2004 collection.

Isabelle Elie Spring 2004 is a decidedly focused collection.

Janet T. Planet produces a sensitive and mature collection for Spring 2004.

Mackage Spring 2004 takes streamlined fashion to an exciting new threshold.

Mark Peros Spring 2004 illustrates something that we have long suspected about the label-it’s deftness at introducing and maintaining a theme.

It figures that white canvas is this painter-by-night’s fabric du jour for Spring 2004.

Christian Chenail’s penchant for cinematic diva-hood appears to be insatiable. Audrey Hepburn becomes the new target of adoration.

Andy Thê-Anh dedicates Spring 2004 to ‘Digital Goddesses’, the modern-day divas that continue a long tradition of spellbinding us.

For Spring 2004, Costanzo keep it punchy with divergent cuts and a high hemline.

‘White Time’ is Rudsak’s theme for Spring 2004, a vote of confidence in the colour white to demonstrate the epiphany of freedom

Tavãn and Mitto trot out ‘Ipanema,’ for Spring 2004, a masterpiece of a collection that swings between being racy and tastefully elegant.

The Waiter and the Slut by Mila Finkelshtein Spring 2004 tries every which way but loose to invent new silhouettes.

If punk brides had nothing to wear to their wedding before Thien Le revealed his Spring 2004 collection.